Holy shit friends it’s my BOOOOOOK! It comes out from Norton on July 5 (Doubleday/Penguin in Ireland/UK/Australia July 21), so preorder to have it delivered on pub date and be the coolest literary horror reader on your block. Here’s how to order from Amazon and indie booksellers!
Friends, Here’s a special episode of Against Everyone With Conner Habib about my debut novel of psychological tension, desire, and violence, Hawk Mountain. I read from the novel’s first pages, I talk about how it came together, about being a writer, and also about a blurb from one of my heroes which is still blowing my mind.
Importantly, though, I also talk about preorders! Preorders are so important to an author, a fact which I just discovered since, uh, I’ve never published a book before. But anyway, instead of just saying “it’s important,” here’s why.
WHEN YOU PREORDER MY BOOK YOU
Boost the first week of sales! Preorders are tacked on to the first week of sales figures, which are key in how much publicity/promotion the book gets.
Get all the right people talking about the book! This includes distributors and publishers in foreign countries, then media and…well, you can see where this is going. A book with strong pre-sales enters into the world dancing!
Get bookstores and organizations interested in events with me. Which means there’s a better chance that I’ll come to your town*
Get the book right away! Like, right away. The day it comes out with some sites below.
SO PREORDER HAWK MOUNTAIN HERE! US RELEASE DATE, JULY 5
Bookshop.org US– The site is the site I use for all book recommendations, since it supports independent bookstores. When you order a book from Bookshop, it finds the closest indie store and sends it to you from there. It works just as well as Amazon 99% of the time, in my experience.
Amazon US – the big cheese, of course. The best thing about ordering from Amazon is that you’ll get it day of publication.
The Gutter Bookshop – Ireland only. If you want a signed copy from a local store in Dublin, order from this gay-owned shop!
Look, obviously I think my novel is good, but if that’s not enough to convince you, here’s some of the advanced prasie:
“Conner Habib’s debut novel is a bleak, dark adrenaline rush.”** – Clive Barker
“Hawk Mountain is a suspenseful, shocking and ultimately poignant study of anguished conflict, both domestic and internal. Incisively written and intensely imagined, it’s the novelistic debut of a real original.” – Ramsey Campbell
“The opening lines of Hawk Mountain plummet you into an atmosphere of creeping dread and precarious restraint that won’t let up until the final, shocking moments.” – Caitlin Doughty
“A moving and unflinching portrayal of a man caught in a trap of his own making, but willing to do almost anything―to almost anybody―if it will keep him from having to face up to himself. Hawk Mountain is a wonderfully bleak and beautifully written debut.” – Brian Evenson
“A brilliantly disturbing, expertly crafted literary noir that will stick with you long after you put it down. Conner Habib has written a flawless meditation on the fruitless, but eternally human, effort to kill off the parts of ourselves we cannot love―literally and metaphorically. I love this book.” – Sara Gran
“Hawk Mountain is deft horror, made of precise strikes into our most vulnerable psychic terrain… Finally, a horror story that knows cisheteropatriarchy is the villain!” – Andrea Lawlor
“Tender, horrifying, utterly transfixing.” – Kelly Link
“Dripping with menace from the first page, this story of childhood enemies meeting up fifteen years later is utterly enthralling. Brilliantly written with homoerotic undertones, this savage tale is uncompromising in its reflection of teen friendships and isolation, and unflinching in its examination of the delicacy of the human body. There is gold among the gore. I found it compelling, shocking, and beautiful.” – Liz Nugent
“Conner Habib writes with an hallucinatory precision, and a kind of merciless humanity, about the poisonous work of repression. His forebears-Poe, Highsmith, even classical tragedy-are clear, but his originality is clearer still. Hawk Mountain is a work of strange, glittering darkness.” – Mark O’Connell
“A deeply disturbing yet, somehow, soaring novel I won’t soon forget. It plumbs the depths of traumatized characters trapped within our damaging culture. I couldn’t look away, even when I was looking from between my fingers.” – Paul Tremblay
I can’t wait to share my first novel with you, friends. Please do get your copy preordered today! C
Friends, my debut novel of murder, desire, and high tension, Hawk Mountain, is out from W.W. Norton in the US and Penguin/Doubleday in Ireland and the UK next July, but if you pre-order it now, you get it delivered straight to your door the day it comes out (or maybe even earlier, since Amazon sometimes surprises you with early delivery!). I can’t wait to share this novel with the world. I’ll be posting some videos, podcasts, and interviews about the book and writing it in the days to come. But be one of the first people to read the book by clicking one of the following links and ordering it!
An English teacher is gaslit by his charismatic high school bully in this tense story of deception, manipulation, and murder.
Single father Todd is relaxing at the beach with his son, Anthony, when he catches sight of a man approaching from the water’s edge. As the man draws closer, Todd recognizes him as Jack, who bullied Todd relentlessly in their teenage years, but now seems overjoyed to have “run into” his old friend. Jack suggests a meal to catch up. And can he spend the night?
What follows is a fast-paced story of obsession and cunning. As Jack invades Todd’s life, pain and intimidation from the past unearth knife-edge suspense in the present. Set in a small town on the New England coast, Conner Habib’s debut introduces characters trapped in isolation by the expansive woods and the encroaching ocean, their violence an expression of repressed desire and the damage it can inflict. Both gruesome and tender, Hawk Mountain offers a compelling look at how love and hate are indissoluble, intertwined until the last breath.
FRIENDS:Do you find this podcast meaningful? Support it! This podcast is only possible because listeners like you support it. Do contribute to my mission by supporting Against Everyone With Conner Habib on Patreon! Thank you so, so much.
Buy Ramsey’s books and all the books mentioned on/related to this episode via my booklist for AEWCH 168 on bookshop.org! The site sources from independent bookstores in the US, not a big corporate shipping warehouse where the workers are treated like machines. Plus when you click through here to order, the show gets a small affiliate kickback!
Friends,
Happy Halloween. I don’t really need to introduce legendary horror author Ramsey Campbell, but I will just say it was an honor to have him on the show. Very few people have done as much as Ramsey to deepen horror narratives, and very few have shown – with dozens of books penned – such a commitment to the genre.
• The calm moments in David Lynch films are the half smile on the government agent’s face thing I mention brought to you by Jon Ronson, who I spoke with on AEWCH 163.
FRIENDS: Do you find this podcast meaningful? Support it! This podcast is only possible because listeners like you support it. Do contribute to my mission by supporting Against Everyone With Conner Habib on Patreon! Thank you so, so much.
Buy Paul’s books, and all the books mentioned on/related to this episode via my booklist for AEWCH 158 on bookshop.org. Bookshop.org sources from independent bookstores in the US, not a big corporate shipping warehouse where the workers are treated like machines. Plus when you click through here to order, the show gets a small affiliate kickback!
Friends,
I’m so excited to share this episode about horror, free will, and compassion with novelist Paul Tremblay
• One of my favorite episode of the show is AEWCH 93 with Sara Maria Griffin (and also, I was on Sara’s podcast, Juvenalia, talking about Clive Barker). And here are a few other horror-themed episodes of AEWCH: AEWCH 23 on postmodern horror with Brian Evenson, AEWCH 40 about horror and poetry with Zachary Schomburg, AEWCH 44 on the vampire as a theory with Kelly Link and Jordy Rosenberg, and AEWCH 58 on horror films with screenwriter (of The Invitation and Destroyer, among other things) Phil Hay.
• Paul and I both love Sara Gran’s absolutely scary novel of possession, Come Closer. And Sara was on AEWCH 61, talking Lacan and detective novels. It’s one of my favorite episodes.
• Paul mentions using George Saunders’s book on writing, A Swim in the Pond in the Rain. That said, the best writing book out there, I think, is a bit of a best-kept-secret thing. It’s Stuart Spencer’s The Playwright’s Guidebook.
• The (fun!) cellphone horror novel is Ghosterby Jason Arnopp.
• Weird Studies is one of the best podcasts around. Listen to it. The great quote from the cohost, JF Martel, is “The hope is that (art) saves us in reality by damming us in art.”
FRIENDS: Do you find this podcast meaningful? Support it! This podcast is only possible because listeners like you support it. Do contribute to my mission by supporting Against Everyone With Conner Habib onPatreon! Thank you so, so much. Buy Carmen’s books and the books mentioned on/related to this episode via my booklist for AEWCH 149 on Bookshop.org. Bookshop.org sources from independent bookstores in the US, not a big corporate shipping warehouse where the workers are treated like machines. Plus when you click through here to order, the show gets a small affiliate kickback!
Friends,
The French psychoanalyst and philosopher Jacques Lacan once said, “there is no other good than the one that can pay the price of the access to desire.”
There’s a lot about this statement, which is, like a lot of what Lacan said, a riddle – but one thing in it – paying the price of access – so our desires are not accessible? So we must lose something, give something to meet them? To see them? To talk about them?
I think what’s really interesting to both of us, and this comes up quite a bit – is how desire functions, how it is somehow always ahead of us, appearing and disappearing like a friend or an enemy on the path in a fairy tale. Sometimes it gives something to us that is useful later on. A key, a sacred object, a weapon. Sometimes it gives us a gift that leads us to being stuck. Like the fairy market where someone accepts the gift of an apple from the goblin, eats it, and wakes up 100 years later, if they wake up at all. Sometimes it has a strange shape, it frightens us.
Why should desires be like this? How do they know us, in a way, before we know ourselves?
How do we talk about the desire and the horror in abusive relationships while still holding the abuser accountable. How do we make the necessary move of accountability while not reducing the complicatedness of the encounter and the relationship?
Again and again, Carmen and I touch on desires and on storytelling – almost like we’re knocking on wood to allow ourselves to go forward in difficult conversation.
What do we sacrifice to know our desires? What are the prices of following our desires Of not giving way to them? Of not giving ground to them?
If all that sounds dark and complex, well, it is. but this is also such a warm and friendly episode. With lots of laughter and curiosity and affinity.
I’m so happy to share this episode with you.
ON THIS EPISODE
The way desire knows itself before you know what it is
Why is the fox from Robin Hood so hot
Evading the temptation of metaphor when we read
The response to the subconscious is determines the genre of writing
Horror as spiritual narrative
H.P. Lovecraft’s mission of mercy
Sexuality as a genre
The imagination of the abusive partner after you’ve left them
The missing language of understanding for the person who has been abused
• And the Lovecraft quote is, ““The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.”
• Rainer Werner Fassbinder’s movie The Bitter Tears of Petra Van Kantis one of the best films ever made. And also watch Lars Von Trier’s Dogville for another sort of disorientation.
Until next time friends, follow your desires! XO CH
This podcast is only possible because listeners like you support it. Do contribute to my mission by supporting Against Everyone With Conner Habib on Patreon! Thank you so, so much.Want to buy the books mentioned on this ep? For Edward’s books, and other books mentioned on or related to this episode, please go to my booklist for AEWCH 138 on bookshop.org. It will help support independent bookstores, and the show gets a small financial kickback, too.
Friends, Why are we drawn to ghosts but frightened of them? Why do we feel compelled to take them seriously on some level, but on the other hand dismiss them? And why do some places just feel haunted?
In a time of the dead, in a time when dying is so present for so many, what new attitudes towards death and its spectres will arise?
To give you a little indication of his style, I asked Edward to start the episode with a very brief reading from Ghostland, then we’re into the conversation.And I start with two ghost stories of my own to indicate different ways that ghosts can lead us down strange and mysterious paths both as individuals and culturally.
ON THIS EPISODE
What is the aesthetic of the ghost story?
The way the Satanic panic severed the connection to ghost stories in the US vs in the UK.
How the transparency of history creates the resonance of ghosts.
New horror stories reflecting the way spirituality permeates culture.
The many ways which we dismiss the existence of ghosts.
The presence of fairies in Ireland vs the ghost of ghosts in the UK.
The middle class resistance to ghosts.
Imperialism vs ghosts.
Why do we turn away from grief?
The creeping fear of UK short ghost/weird fiction.
• The PSA announcement “Lonely Water” is…no joke…pretty scary! You can watch it here. And here’s the main figure in it. Watch out kids, if you don’t drown, you’ll live in fear of drowning your entire life.
• We mention Roger Clarke’s thesis about class and ghosts, which you can find in longer form in his book, Ghosts: A Natural History.
• Would you like to learn more about the bone crypt at Holy Trinity Church? Why of course you would.• For another AEWCH episode about changing attitudes towards the spiritual, check out AEWCH 98 with Thomas Waters on which we talk all about witchcraft (it’s one of my favorites).
• Finally, check out Ed’s photo of the rocking horse in author Lucy Boston‘s house. Why are rocking horses this scary?
Friends, some good news.
My (very dark) novel, Hawk Mountain, will be published by W.W. Norton in the US and Penguin/Doubleday in Ireland and the UK in summer of 2021. I can barely believe it.
My whole life I’ve wanted to be a novelist.
I’m beaming, friends.
Hi. Can’t wait to share my book with you.
I put out many hours of free content every month, please do support the show by donating to my Patreon today. For the price of a piece of cake or a bourgeoise donut in San Francisco or a delicious Yuengling lager in Pennsylvania, you can support the show in a major way and contribute to my mission to bring deep conversations to the world and inspire others to have them!
When you follow a mystery, you see that’s it’s unending. And what better explorer of mysteries than acclaimed mystery writer Sara Gran, whose mystery and crime books rove through philosophy, the occult, and the hardboiled on their way to the murderer.
Sara is the author of mysteries and horror, from her acclaimed Claire DeWitt series (start with the excellent Claire Dewitt and the City of the Dead), to her shiveringly creepy demonic possession tale, Come Closer.
We talk about why detectives in fiction are always wounded, how criminals are materialists but detectives are spiritual, being an outsider, the philosopher she invented named Jacques Silette, the unknowingness of writing, how our creative projects becomes spells & become our friends, whether or not people actually succeed in Hollywood, the difference between real genre and mere spectacle, fairy tales, why political solutions don’t work, why the presence of the dead is healing, why people can’t accept the supernatural even in fiction, Suspiria vs Texas Chainsaw Massacre vs Hereditary, Play It As It Lays by Joan Didion, how art responds to and creates evil, and how psychoanalysis connects to the Western esoteric tradition and yoga.
At the opening of 2019, I’m reviewing the state of something in 2019: what’s on the scene nowand what to look for in the coming year! This week, it’s the State of Movies, 2019 and to that end I talk with the amazing screenwriter Phil Hay, whose most recent film, Destroyer, features Nicole Kidman as a messed up cop, seeking revenge, in what I think is her best performance ever.
He’s also one of the writers behind the amazing horror film The Invitation. Phil creates these incredible movies with his wife, the director Karyn Kusama*, and his writing partner, Matt Manfredi. Phil once said, “To me, the main thing that I believe qualifies you to be a writer is that you’re really interested in other people.” And for Phil, includes his characters, the audience, and other filmmakers past and present. I’m so excited to share this conversation with you.
Phil and I talk: how genre films and how they’re overtaking moviemaking in general, the challenge of making challenging movies; the importance of truly female characters rather than women playing male roles; why we need a reappraisal of Phil/Karyn/Matt’s excellent (yeah, I said it) sci-fi movie starring Charlize Theron, Aeon Flux; how going to the theater pre-internet, without knowing what was playing, created a different way of watching; liking the movies we don’t like; horror audiences as the ideal audiences; portrayals of processing grief; the problem and promise of the cult; why cult-like statements can be useful; patriarchy as a narrative that is so boring that we need to overturn it; and finally, why Destroyer is such an amazing movie; and finally, why Destroyer is such an amazing movie!
*PS, sorry for mispronouncing Karyn’s name at the top. It’s KAH-rin, not CARE-in. Duh, Conner.
Click here for SHOW NOTES with the movies and books we mention, as well as a few other fun links
Conner Habib 