Tag Archives: Susan Sontag

What do we do after the end of the world? I talk with Srećko Horvat, Una Mullally, and Mark O’Connell on AEWCH 258!

3 Apr

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Friends,
On Thursday, March 28, myself and journalist & organizer UNA MULLALLY, presented the event THE BEGINNING IS NEAR in Dublin, where we talked about the end of the world and what comes after that with frequent AEWCH guests: philosopher and activist SREĆKO HORVAT, and cultural critic and writer MARK O’CONNELL.
The event marked Srećko’s first speaking engagement in Ireland, and also my first attempt at creating an “AEWCH event” in Ireland. I’d love to do many more.

The night was broken into halves: first, we talked about apocalypse. Then we had a short break and spoke about renewal.* What arose was a challenging set of indications and prospects, failures and pathways.

Some questions that came up:

  • Is the apocalypse always happening?
  • What does the esoteric tell us about how to live beyond apocalypse?
  • What is the role of art in renewal?
  • Why is it important to evade the political realm?
  • What is the use of hope?

I’m so proud to have set up this event with Una and to share it with you!

*We also engaged with the audience via exercises which I may bring to the show down the line, but which are edited out here… So if you want the full experience, come to the next event in person or via online! I’d love to see you there!

The Queer Esoteric Power of Poetry! It’s D.A. Powell on AEWCH 73!

11 Jun

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AGAINST EVERYONE WITH CONNER HABIB 73: D.A. POWELL or THE QUEER ESOTERIC POWER OF POETRY

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Pay for the podcasts you love by signing up for my Patreon today.

Friends,

So excited to share what is one of my very favorite episodes of AEWCH with you, discussing poetry, the esoteric, the strange, and the occult with poet D.A. Powell (AKA Doug)!

Doug is the author of multiple books of poetry, and is best know for his Repast trilogy, including the books Tea, Lunch, and Cocktails, which have all be described as potent AIDS-era poetry. But what makes Doug such a profound thinker and poet (aside from his incredible poetry, of course!), is that he refuses to have his poems reduced to political polemic, even as they evince politics. Instead, Doug’s poems and Doug himself insist on the myriad of meanings each poem presents, and in that way, transmutes poetry into an alchemical act.

In addition to talking, Doug reads many of his poems, starting with the excellent “The Kiwi Comes To Gridley, CA” which is in his (also excellent) collection, Useless Landscape: A Guide For Boys. He also reads “Why We Have No Future,” “Mass For Pentecost: Canitcle for Birds & Waters”, “[strange flower in my hands. porphory shell. clipped wool.]”, “Don’t Touch My Junk”, and “Slut”.

We talk about

  • how poetry can’t be reduced to its contents or our current political situation
  • why plants are tops (really!)
  • those plaintive sighs at poetry readings
  • how the political overtakes and consumes all other meanings
  • loving and hating what you write
  • why poetry is not metaphor
  • how poems destroy the focus on a single point and expand the cosmos
  • how are relates to the Holy Ghost and the angels
  • the problem with the lack in psychoanalysis
  • how to hex people and cure people with words
  • what rhymes are
  • The secret poetry of the 1960s Batman and Robin TV series
  • Christ’s foreskin (really!)
  • poem-ography

XO

CH

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AEWCH 71: TREATMENT AS METAPHOR

21 May

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Sign up for my Patreon today by clicking here. It’s quick, easy, and you get cool stuff in return.

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Friends,

It’s May, the anniversary death month of my mother, who died in 2001, shortly after Mother’s Day. I wanted to honor her memory this year by sharing with you something I’d written about her nearly four years ago – but also to explore the concept of treatment, illness, and healing.

The topics of medicine and illness come up a lot on AEWCH (two examples are on AEWCH 20 with David Shorter, and AEWCH 68 with Lisa Romero), if you hadn’t yet noticed, and I am very interested in exploring them more deeply.  So let’s set the stage for that with this episode about three cancers – my mother’s, Susan Sontag’s, and mine; and how each of us dealt with them.

This episode is dedicated to my mother.

I love you, Mom!

XO
CHmom2

Click here for show notes!

Treatment As Metaphor: What Happened When Susan Sontag, My Mom, and I Were Diagnosed with Cancer

22 Jan

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My mom and I on my 22nd birthday. She died a little over two years later.

My essay“When You’re Sick You’ll Wait for the Answer but None Will Come,” was the cover article of a recent issue of The Stranger.

In 2007, a doctor told me I had lymphoma.  Looming over this diagnosis was my mother’s slow death of bone cancer in 2001.  My literary hero, Susan Sontag wrote about cancer and our attitudes about it so convincingly; but I found that when I was confronted with fear for my health and life, her thoughts on illness weren’t complete.  What about our attitudes about treatment?  I’ve been mulling over this essay for year, and am happy to have written (exorcised?) it and to have it finally out.

Read the entire thing here, read some excerpts below, and feel free to share your experiences in the comments.  Thank you.

***

I was on a hospital gurney in a hallway, and I’d been there, confused, for hours. I was wheeled out there after a CT scan on my abdomen.

Am I okay, I’d asked the CT technician. She looked down at the floor.

“You’re going to die,” she said.

And then, animated, “Just kidding! The doctor will see you in the hall.”

She patted me on the shoulder. That’s the kind of person she was.

I was there after being assaulted by my boyfriend; it was the first and only time he’d hit me, and I promised myself I’d never see him again. I didn’t have a job, I’d just finished grad school, and now my rib was broken and I had internal bleeding and bruised intestines that would scar up. I wasn’t sure what was next for me. The CT scan was for my liver and spleen to make sure they hadn’t split open.

My spleen was fine; my liver was fine.

“Your spleen is fine; your liver is fine,” the doctor said. I was in the kind of pain that’s not just dull or sharp but also frightening.

“The suspicion is that you have lymphoma.”

I’d talked to this doctor hours ago, when I checked in for my injuries. We talked about police reports, and he checked my breathing.

What? I asked.

“Your lymph nodes are irregularly large; you’ll have to get another CT scan. The suspicion is lymphoma,” he said again. Suspicion. Was that a diagnosis?

A smiling nurse appeared next to us. “At least you caught it early!” she said. “Think about it! The assault saved your life!”

***

Death comes, and when it does, it sounds like a creaking door. I know this because when my mom was finished with cancer, a noise uttered its way past her teeth. Like something being crushed slowly, but there was no burst or relief at the end. She died on a bed in our house. She’d spent a lot of time before that moment disappearing. No more fat or muscle on her, no more talking; she was like a piece of paper with bones in it. Each breath was a disjointed heave and hiss, and then it stopped.

I was 24; she was 56.

None of this will tell you enough about her, nothing could, but I’ll try:

My mom would tug at my sister’s hair or pinch me when we misbehaved, because she was a big sister to us. Her mother died giving birth to what would have been my mom’s first younger sibling. My mom corralled and held us against harm. She wouldn’t let us watch violent movies. She wrote a short story about a woman who slit her wrists in a library and everyone walked by quietly, trying not to notice. She read a lot. She gave classes for women at Barnes & Noble. She told me that as a little girl, she had a dream about looking out her open bedroom window as nickels rained in from the sky until the entire room was full. Sometimes she’d make me or my sister or anyone laugh so hard that we couldn’t breathe. She had a John James Audubon bird book that she’d pull off the shelf and page through with me: the colors and the brushstrokes and the scenes of struggle and beauty.

They’d told us she had cancer, bone cancer. First it was breast cancer, and then it was bone cancer. Ten years ago, they amputated her fleshy left breast. She said that on surgery day, she put a sticky note on her breast that read “Good-bye.” Treatment came to a temporary halt in a curved line of black stitches across her ribs. That should be enough, but no! A breast wasn’t enough for them. Not the cells, not the doctors. Ten years later, there was a tumor on her sternum, and then her leg. Then she was in pain. Constant pain. From diagnosis to death, it was a little more than two years.

***

Treatment” is a word made up of different words.

“Treat” is from the French traiter, derived from the Latin tractare. To handle, deal with, conduct oneself toward, tug, drag about.

“Ment” is a magical suffix that turns actions into things. To add “ment” to the end of a word is to draw it into the world.

That means treatment may be “the state of conducting oneself toward something.” That’s as gentle as a quiet, correct step.

It also means that treatment may be “the state of being dragged about, the state of being pulled violently.”

When we’re sick, or when we think we’re sick, we seek treatment. Since we all get sick sooner or later, treatment is a part of being human. It’s not separate from our lives, it’s not a feature of certain people’s experiences, it’s not optional.

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Susan Sontag

Writer and intellectual Susan Sontag, in her book Illness as Metaphor, wrote of this obligation to be sick in our lives. And she also wrote that to decorate our illness with metaphors and melodramas was to make matters worse. “Illness is not a metaphor,” she wrote. “The most truthful way of regarding illness—and the healthiest way of being ill—is one most purified of, most resistant to, metaphoric thinking.”

She was diagnosed with cancer on three different occasions. First, breast cancer in 1975. She responded to it with Illness as Metaphor, a radical mastectomy, and chemotherapy, which she opted for over a “modified radical” mastectomy, which was a less invasive treatment. She viewed cancer as a growth, so radical treatment was necessary to getting to its root (radicalis from the Latin radix or “root”). An extremity of uprooting. When a friend came to her with a cancer diagnosis and fears about the pains of treatment, she told him that when he was in such terrible pain that he may have to stop, that’s when he should take another treatment. Then another. She was expressing sympathy by encouraging defiance. I wonder why she didn’t notice that her approach to treatment echoed perfectly her approach to living, and so was alive with metaphor.

Radical in her heart, radical just above it.

***

Looking up treatment was a treatment itself. Perhaps I could calm down if there were cures.

Night sweats, itchy skin, fever, abdominal pain, cough, fatigue, weight loss, rashes, back pain. None of these are disease-specific. I found myself suddenly scratching my legs more and waking up in the middle of the night. I found myself exhausted. Was it lymphoma or just “normal” or had I been hexed?

“You should calm down,” one friend said.

“You should rest before you drive across the country,” said another.

I didn’t go back to the doctor. I wanted to escape everything, and I had to make sure I would never interact with my boyfriend again.

I put my things in my car and drove across the country alone, from Amherst to San Francisco, wondering if my back pain was from sitting or impending death. In one of those states in the middle, the ones that are so beautiful that they blend together and make you forget their names, I stopped my car and watched pronghorn antelope grazing. I’d never seen antelope before. The only sound was the wind, which rushed up fast like the grass was exhaling. Then I remembered: lymphoma. I wondered if the states were being granted to me, one by one, showing up to say good-bye or calm me down. I’d felt my lymph nodes in my neck every day. I still catch myself feeling them. I wonder how my hands got up to my throat, searching for something.

There was a feeling of spinning.

***

A question that is bound up in illness for us: Who’s to blame? If the person who chooses to pray as treatment dies of cancer, is it their fault? If so, isn’t the same true for someone who chooses chemotherapy for cancer and dies of cancer?

People will be quick to tell you that some attitudes toward health are “dangerous.” This is true. They’re all dangerous.

…But what if we eat raw food? What if we drink enough water, if we take vitamins, if we sleep well, if we exercise, if we meditate, if we go on “retreats,” if we take psychedelic plants, if we get massages, if we become vegetarians, if we eat more organ meats, if we force ourselves to laugh, if we take morning walks?

We try to avoid illness and treatment, and in avoiding it create a constant state of illness and treatment.